DETAILED NOTES ON CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They tend to be yearning romantics, using this type of big difference: Buster appears a plausible mate, as well as the Tramp rarely seems to possess a libido, only idealized notions. If their comedies had been built in a far more liberated time, it can be done to assume Keaton in bed with a lady, but disquieting to think of the Tramp for a sexual c